'Lucian freud and the visual arts Essay\r'

'Lucian Freud was born in 1922, in Berlin Ger valet de chambrey. He was a British Painter and a grandson to Sigmund Freud. He canvass In London at the central indoctrinate of dodge and also at Morris’s eastern United States Anglican school, where he studied painting and drawing. He later att send awayed the University of London (Goldsmiths College), and later courseed with sea dog in 1941, as a merchant. The panthers room was for the first cadence to feature in 1944, in his first exhibitions of painting. The strain is foc apply on the au becauseticity of Lucian Freud in his take in, and his reflections during the contemporaneity and put up juvenileism times.\r\nThe paintings of Freud were associated with sur reality, and he worked on characterization hatful and animals in juxtapositions which were very unusual. He ab initio st frauded the paintings using thin paints but as time went by, he began paintings of portraits in 1956, using thicker paints. He was usin g thicker impasto to c alone forth nudes, on top everything else he did. His colorize were then muted, and he st cheated by cleaning his sponge after every stroke, and his work was usually ingest up of portraits of sitters who were sprawled, sometimes on the floor au naturel(p), but he often juxtaposed that with other paintings.\r\nSome of the portrays he use included; a â€Å"naked man with a rat,” or even â€Å"a young woman with a white dog. ” His main subjects can be utter to have been his family relatives, friends, his fellow painters, children, and even his l all overs. He was quoted saying, â€Å"The subject matter is autobiographical, it is all to do with foretaste and memory and sensuality and involvement, really. ” (Lucian F. 1989, P 18) Lucian was believed to have been a member of the â€Å"realism, expressionism, and surrealism movement,” where by the artists had a tendency of distorting the reality, and alternatively producing an emo tional effect, and calling it a subjective variant of art.\r\nExpressionism was exhibited in writings, painting, music, architecture, theater, and even in film. Painters of the time were then called expressionists, because of their twentieth century paintings. Freud painted a calculate of his fellow artists including, Francis Bacon, and went on to produce portraits of series which comprised of performances of artists Henrieta Moraes and Leigh leafy. His quest on people was justified when he said that, â€Å"i paint people non because of what they argon like, not exactly in spite of what they ar like, but how they happen to be.\r\n” His paintings were characterized by elements of Surrealist and things favoring the realistic cost of portraits of nude. Freud was known to be among the famous artists of British CAEK, for he was working in a traditionalistic mien of representation. This led him to winning the turner Prize, back in the year 1989. (Reynolds J. 1971, p 69- 9 7) Freud was believed to be true(p) in his work, because his prolific collection followed the daily life founding exploration.\r\nHis paintings order of battleed that observing ordinary events acutely can produce significant art, just as Edward Hopper used to do. In a dissimilar perspective he defecates an uneasy atmosphere. The argument behind his work is that, he does it with an intention of making us aw atomic number 18 of our fatness, our mortality, our sexuality, thinness, which are all elements of people’s nakedness. The ambition he had in his work can be attributed to his linguistic communication that, â€Å"i would wish my art to appear factual, not literal. I remember everything I have through because it was done with difficulty.\r\n” His style of work portrays realism and realness. scenery at his picture of a â€Å"cramped, tired, alternately flag and tense flesh and bones,” makes one sympathize with themselves as they figure out their own bod ies, for they can nose out their own physicality. Lucian therefore tries to penetrate the psychological depths in the appearance he depicts the nudes. He conveys personality in a great force by empowering the flesh. This makes his work grotesque and realistic, as opposed to Ingres’s kit and boodle which are al representations perverse and stylish.\r\nThe relevance in his paintings can be found at a closer look of things. (Michael W. 1989, P 323) His arbitrary stylus of displaying the nudes in poses which are odd reinforces their expressiveness. According to Freud, the consistency is physical and psychologically suggestive, and that is why he produces paintings of naked people, though by doing so does not stand for crack all its secrets. His focus was that, a painter must always defeat â€Å"the sitter’s power of censorship” through making her or him uncomfortable.\r\nThe vector sum then becomes expressive for there is an ravening flow and libido in th e midst of the painter and the sitter, which helps in revealing the â€Å"human” existence of both parties. The portraits of Freud always battle array the same thing, and his only obsession and feeling of all what human is. What the sitters imply and what he must reveal becomes the distinction of life and death, and also the conscious and unconscious. He does this by his alternations in his paintings, some with eyeball capable and the next with eyes closed, and does arrange their bodies in different houseures, some in edges to show danger and risk.\r\nFor exercise he produced a painting of his mother with her eyes open and alert, which contradicted her smearure of her body which was static and sozzled which portrayed that she was aware of some coming death, for she appears to be half dead. All Freud’s bodies show lock up lives and also show that it is possible to become authentic even when an anxiety seems to undermine their authentic nature. (Benjamin, Harry, Hannah, 1986, p 71) According to Freud, realism comes through a quasi-psychoanalytic purpose.\r\nHis realism came as a result of identification, unconscious and conscious ways, and most importantly from his grandfather Sigmund Freud. Freud wants to represent detriment and the reality behind it, because it was something he had experienced personally, when he saw homes and families being burnt to death. Freud’s file away had become very useful in new-fashioned era, because it was a source of information to m any, through the way information was collected, recovered and stored. It thus became a secernate reference to palms like anthropology, recent art, particular theory and also history.\r\nTestimonies of events like the Second cosmea War gave rise to fleck- modernness and piazza-colonial eras, which evoked a afterthought of the archive, which had become a subject on its own, quite an than the usual transparent record. Some of the paintings of Freud included the fut ure(a): (Lucian F. 1989, p 19) Girl with a white dog. 1951 bath Minton, 1952 Large interior W11 (after Watteau) 1981 Reflection of self portrait. 1985. modernism is the way of reforming the cultural movements, in architecture, art, music, literature, and even the utilize arts.\r\nIt was a period between 1884 and 1914, and covered happenings in political issues, artistic movements, as well as cultural movements rooted in the western way of life. It was a time when artists like Freud had to improve their arts, create or reshape their environment, laying their basis in scientific changes as well as in technology. It was an era which led to examination of every aspect of existence, with an aim of finding what was holding back win in the society, and hence replaces it with what was believed to be new in order to arrive at the same end through an easier way.\r\nModernism came as a result of the nineteenth century both in academic and historic traditions. They believed that the practi ces of the time were outdated and had to adopt the modern ways of life in such an industrialize world. Some people said this gave birth to post modernism, while according to others it was the same movement. There were some(prenominal) arguments that the values of the society and those of the individual were not different, instead the society was just being â€Å"antithetical” to any progress, hence it had to adopt new ways to make it move forward.\r\n(Danto A. 2000, P 65) The theories of Sigmund Freud and Ernst Mach had a great watch on this wave. They argued that the mind had to have a rudimentary funda psychological structure starting from the 1880s. According to Freud it had a fundamental subjective experience, and was speculate to play with the instincts and basic drives coming the way and through which the world was supposed to be perceived. Ernst on the other hand create the theory of positivism, which argued that the elements of nature were to be seen through m ental shorthand and were not guaranteed.\r\nThis brought about the difference between the past and the present, because the past allowed the reality to impress itself for it was bloodsucking on an individual. Modernism defined various arts in various manners which were radical. The First world War brought about a lot of strain in the social order and the artistic movements cod to the radical parties which had come by and strongly rejected the previous practice. A good example was the Russian movement in 1905. People were now travel beyond realism in art and literature as well as altering the feel in music, in the name of moving to modernism.\r\n(Reynolds J. 1971, p 101) A new phase of modernism came over between 1930 and 1945, which saw increasing urbanization and touristed culture. People had to look at modernism as the source of the new ideas for development. Lucian and his fellow artists had to work in modernist’s style and on and on to the twenty-first century. He now select the color field painting and abstract way of expressing himself. Fields of art which had acquired continual change included: lyrical abstraction, geometrical abstraction, process art, abstract illusion, pop art and music, post minimalism, minimalism, and color field painting.\r\nModernists believed that rejecting tradition would lead to the denudation of the new ways of making art. Then came the wave of post modernism, which was a term used to show some contradiction to modernism’s art. It came with its wash and movements like, conceptual art, installation art, inter media, and multimedia. Artists had to adopt traits like, appropriation, simplification, collage, and bricolage in performing art. Artists had to produce contemporary art, though not all contemporary art was believed to be post modernism’s art. (Lucian F. 1987, P20)\r\nThe idea of post modernism came after the disillusionment in the Second adult male War, but not all artists supported the pos t-modernism work or theories. Like other artists Freud had to adopt the traditional techniques of portraying their art. However it lacked the central hierarchy of expressing and organizing principles. The post modernism art had the following characteristics: it had contradiction, ambiguity, complexity, diversity and interconnectedness. note modernism was closely related to post structuralism. aspect at Lucian’s work in post modernism, it had different effects.\r\nFor instance; his image of late Leigh Bowery â€Å"perched on a table, his body extending, tapers, reaching up to a sky light, awkward in its pose, to the full frontal nudity,” is hard to tell what the painter was waging. Freud had adopted new ways in costumes, prosthetics, cosmetics and not nakedness. His art had decency in the artistic transgression but lacked decorum. emergence of paintings had to be derived from the perspective, scale, and the trackings of the Freud’s brush. (Michael W. , 1989, p 323) Lucian’s art was truly significant, because of his artistic nature of representing objects.\r\nHe actually moved and progressed with the modern changes which took place since the First land War to the Second World War, and even in post modernism era. He was very creative in his art, and had a typical way of producing paintings of the people who were close to him in life. He succeeded well in distorting reality to produce some emotional effects. He enjoyed contradiction, which was typical in his art. He produced juxtaposed images, which pull a lot of attention. His art aimed at familiarity both psychologically and formally. His intimacy was good to cherish, as oftentimes as it destroyed and distracted objects.\r\nHe succeeded in his art and always argued that paint could work as flesh. LIST OF REFERENCES. Benjamin Waiter, Harry Zohn, Hannah Arrendt, (1982) Art in the Age of Mechanical Reproduction; in Illuminations. naked as a jaybird York: Schocken books. ISBN 006 4301249 Danto, Arthur C. (2000) â€Å"The art world” Essay pub. ISBN 0520230027 Reynolds Joshua, (1971) seven discourses, 1778 menston, scolar press. ISBN 0854175466 Michael forest: (1989) Art of the Western world, summit books. ISBN 0671670077 Lucian Freud, (1987) Quoted in Robert Hughes, Lucian Freud: paintings, new(a) York: Thames and Hudson.\r\n'