Themes of Shakespeare’s Measure for Measure Revealed in Angelo’s Solilo

Themes of Shakespe ars Measure for Measure Revealed in Angelos Soliloquies Angelos soliloquies (2.2.161-186 2.4.1-30) express themes of the tragicomical form, grace and nature, development of self-knowledge, legal expert and mercy, and creation and death as aspects of Angelos character.By the theme of the tragicomic form I mean that which qualified extremes and promoted a balanced particularise of mind It employed a mixed style, mixed action, and mixed characters base on balls from side to side, it works amongst contraries, sweetly tempering their composition. (Guarinis Compendio della Poesia Tragicomica (1601) cited in Lever lxi-lxii). I take Measure for Measures tragicomic form as its major theme, or perhaps meta-theme, because it reinforces the value of the via media, of assuagement over partizanry. Angelo swings from one extreme to the some other before, by the plays conclusion, prompted by the orchestrations of the duke, he adopts a middle way. In Angelos graduation two soliloquies we see him transition from believing himself immune to earthly fuck (2.3.185-186) to believing he is ruled by his blood (2.4.15).This transition suggests a theme of development of self-knowledge. In the first soliloquy Angelo refers to himself as a saint (2.2.179) and speaks of physical love in a condemning scent (2.2.173). In the second soliloquy Angelo has adjusted his self-image (2.4.16) to be consistent with his experience, and he describes his experience of love without spending equal time condemning it. He realizes he took sinful pride in his severity (2.4.9-10), and now compares that tone with an idle plume in a capan aspect of appearance, not being. Development of self-knowledge does not show up clearly in other characters however... ...ing between them, was virtue. This signified a beneficent use of natural influence which merited the gift of grace as a concomitant correspondingly, it implied a going forth of grace which might comprehend the conscientious payment of natures debt. Throughout the main action, however, the properties of grace and nature are dissociated and juxtaposed. Strict restraint and immoderate use, the distorted attitudes of convent and brothel, of precisian and libertine, are presented as jarring disparates inducing a process of psychic disruption. In the absence seizure of virtue as a moderator, sexual function turns into the abuse of lechery At the spiritual level, excessive zeal is corrupted to pride Most dismay of all, there are the sudden slips from level to level, landslides of the soul which transform zealot into lecher and saint into sadist. (lxxii-lxxiii)